Enter the world of artist David Fullarton and discover why pictures are better with words on them, why happiness is overrated and why runners should ride bicycles.

Directed and Edited by - Blake Bogosian

Cinematography by - Jeremy Mcnamara

Produced by - Tim Brooks, Blake Bogosian

Sound Mix by - Isaac Olsen

Finished by - Eric Pascua

Music by - Jonnyrandom

Animation by - Joe Macken, Spencer Siebert, Cienna Newett , Devin Whetstone and Nathaniel Costa

In southern Colorado there is a place called Libre. It's an artist community that was established in the late 60s by a group of artists; Dean Fleming, Linda Fleming, Peter Douthit, and Judy Douthit. This is the first part in a mulit part doc series that will explore the lives of various artist that call Libre home.

DIRECTOR/EDITOR - Blake Bogosian

CAMERA - Blake Bogosian - Tyler Cushing

COLOR - Eric Pascua

SOUND MIX - Isaac Olsen

MUSIC PRODUCED - Beta Petrol Productions, Inc.

COMPOSER - Kenseth Thibideau

TITLES - Joe Macken

// A FILM SERIES by BLAKE BOGOSIAN \\

A documentary series of various human stories.
Enjoy the subtle, outrageous, offensive, humorous, sad, and most importantly the human condition at work.

To connect through story; raw, uncensored, and 100 percent human.

directorsnotes.com/2014/06/10/blake-bogosian-100-percent-human/

For more episodes goto 100percenthuman.tv

is cleaning an art form? it is at San Francisco Museum of Modern Art. we’re celebrating our partnership by taking you behind the scenes at the museum’s conservation studio.

Featuring Michelle Barger, head of conservation and conservator of objects at SFMOMA, where she manages the conservation program for the museum's exhibitions.

filmed by Blake Bogosian

score: Spencer Keeton Cunningham

client: Method & SF MOMA

Producer: Karen Brooks

Writer: David Fullarton

Art Director: Cat Oshiro

Film by Blake Bogosian

©2019

ALBUM INFO

To be released in 2020 on Espressivo records, a subsidiary label of Jazzheads, Inc.

Recorded at The Academy of Arts and Letters NYC December 3,4,5, 2018

Piano - Steinway model D no.888

Producer - William Daghlian

Engineer - Jonathan Schultz

Graphic Design - bigbang-creative.com

Cover photo - Mindy Veissid

Film by Blake Bogosian

2019

Director/Editor - Blake Bogosian
Cinematography/Assistant Editor/Colorist - Patrick Lawler 
Executive Producer - Micle Kaplowitz 
1st AC/Gaffer/2nd Operator - Jason Faust

Film by Blake Bogosian

Cinematography Isiah Flores

Bogo Shock Nasty—an aging ex-con who finds himself burnt-out and working at a local liquor store, receives an unexpected visit from an old friend who confronts him about his change in occupation. Triggering Bogo's inner gangster self to resurface, Bogo finds himself reconnecting with his notorious ex-drug dealer Stubs . With very little money to front his new prospects, Bogo is forced to take a huge risk in order to regain the respect he once had from his peers. His plan—to rob Syph and double-up on his money but he quickly realizes he is not the sharp gangster he used to be and finds himself on the other side of the gun. With his back against the wall, Bogo is forced to make a life-changing decision in order to payback the notorious Stubs and reclaim his own agency.

Director StatementThis movie deals directly with the mundane influence that mainstream hip hop culture has on my generation, the so-called Generation Y. So many kids grow up believing that if you sell drugs and rap you can be the next 2Pac. Unfortunately this is not reality and a lot of people I’ve grown up with discover this after either serving time in prison or by working at Rite Aid for ten years straight, suddenly realizing they have been mislead by the glamour-trip of mainstream hip hop. By making this film, I wanted to touch on aspects of life that resonate deeply with me and my peers--ideals of success and struggles with disillusionment. Filmmaking is a very personal expression for me and I felt that this particular story is one that I have heard a million times--the kid who was fronted the drugs, ultimately unable to pay... so he paid with his life.